Tom Clancy’s Rainbow Six Siege

Reviewed by:
On December 16, 2015
Last modified:January 2, 2016


"... 'Rainbow Six Siege' offers a different and at times thrilling spin on the multiplayer genre, even if it gets bogged down by its receptiveness and lack of content."

With many first person shooter series like Call of Duty looking to the not so distant future, the modern day shooter has become a scarcity among the gaming landscape. Luckily, Tom Clancy’s Rainbow Six Siege has you covered. A comeback of sorts, Siege has risen from the ashes of its cancelled predecessor, Patriots, offering fans the first installment in the dormant franchise since 2008. But really, Siege carries the Rainbow Six legacy in name alone, moving away from a co op campaign driven story to a competitive online multiplayer format.

Such a move is a calculated risk as it can potentially alienate the franchise’s current fan base without drawing the masses’s attention that flock around Call of Duty, Battlefield, and Halo. Games often come under fire in today’s industry for being base models meant to sell countless downloadable content before the next sequel is pushed onto the shelves, and while Siege can be lacking in content at times, it offers something new and unique through its tactical, often unforgiving, gameplay and destructible environments.

Every bullet counts. Every trip wire, reinforced wall, or collapsable shield gives you a few more seconds of life and could be the deciding factor in who wins the match. Cooperation and communication with your squad is a must. From monitoring and tagging enemies on surveillance cameras to coordinating breaches, playing as a team is essential to winning. This game isn’t designed for the lone wolf. Five member squads go up against each other in matches lasting between three and four rounds, where one team defends while the other attacks. There are three game modes for multiplayer: bomb disarmament, hostage rescue, and bio-container securement. Each of the modes play similarly with a few differences. For bomb disarmament, the defending team has to defend two locations versus one, and the hostage’s vulnerability affects how an attacking team handles a situation as one misplaced grenade throw can result in failure. I wish these modes had more variety between them as they often feel very similar.

Players can purchase ten attack and defense operators using experience, called renown, they earn through playing matches. Each of these defenders have different abilities and equipment such as placing tripwires, blowing through reinforced walls, dropping toxic gas, or shooting grenades through walls. As only one player can be each operator, it’s important to coordinate who has what responsibilities during the round. Players can choose their load-out and whether they want to use a shotgun or machine gun, a breach charge or stun grenade, C4 or barbed wire, but there’s not much in the way of customization. Borderlands this is not.

Why is the game so addicting and fun to play if it lacks customization and variety? I’ve been trying to pinpoint the game’s charm and why I keep going to back to it, even after unlocking everything it has to offer. It’s the gameplay—the tense moments of dread as you slowly enter the bottom floor of a house with enemies potentially behind any corner—or laying in the floor, blasting a hole through the wall, and shooting enemies as they round their way up the stairs. Maybe, it’s the moments where I throw a C4 charge out a window and detonate it in midair taking out two players. The destructibility creates a lived in world where you try to hide behind vanishing cover and get the drop on the enemy before they get the drop on you. Bullets in this game are deadly. A single shot can put you out of commission and relegate you to the sidelines.

There are 12 matches ranging from a suburban house to a large mansion estate to a downtown bank. While each map is fairly common and ordinary, the game plays with the expectations of what you might see in such environments. Coming across the blood-splattered walls of a silent hallway and finding the body of your dead teammate creates a visceral sense of loss and failure, as does the sound of footsteps upstairs when you’re the last player on the team. Sound plays an important function in the game offering audio clues to the location of the enemy and their traps. Sometimes a radio on a map might play static infused music, but mostly, the game is silent until it’s not.

Outside of competitive multiplayer, Rainbow Six Siege brings back Terrorist Hunt from past games. In this mode, a squad of five teams cooperate to complete objectives ranging from killing a number of computer controlled terrorists, rescuing hostages, defusing bombs, or defending against waves of enemies. Each mode is fairly standard, but playing on the realistic difficulty setting turns easily completed objectives into an almost Herculean effort. The enemies overwhelm you by sheer numbers, and bullets remain just as deadly. The terrorists supporting explosive vests are particularly difficult and can take down half a squad if allowed to get too close.

Theoretically, you could play Terrorist Hunt by yourself, but Siege is meant to be played with others. The game also includes single player “situations” where players can test out the different operators by completing objectives, but often these segments felt tacked on and unnecessary. I never felt that I had to complete them or that they were somehow different or better than just playing online.

Rainbow Six Siege is a little buggy and lacking in variety, but it’s also fun and entertaining in ways most shooters lack. At times, it seemed more like a proof of conception, an addicting proof of conception, mind you. With the features and a direction clearly defined, I see an expanded sequel in the series’s future, with perhaps even a single player campaign, but for what it’s worth, Rainbow Six Siege offers a different and at times thrilling spin on the multiplayer genre, even if it gets bogged down by its receptiveness and lack of content.   

About Matthew Wilson (19 Articles)
Matthew Wilson is a junior Journalism major at The University of Alabama and Culture Editor for The Crimson White. In his spare time, he enjoys movies, video games, and television shows, but his true passion is writing.
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