Edited by Emilia Danielewska
"While four years ago the sub-genre was all the rage in Hollywood, it’s experienced an unprecedented fall from grace."
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"The merging of sci-fi elements with incredibly human drama helps to build one of the most intelligent and emotionally impactful films of the year."
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"This could’ve been a great Superman movie or a great Batman movie, but instead it was a bad mixture of both."
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"'High-Rise' is an explosion in a delirium factory, deftly handling its class-war politics and has a lot on its mind regarding the nature of humans living in enclosed spaces."
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"The Witch" is an exploration of minimalist tenure, with devotion to bleak atmosphere, period setting, and quietly unsettling scenes that will drive a lot of audiences out of the door because it’s not making them jump.
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"Peck’s eyes, now forever closed, glimmer with an intensity and optimism as Finch, and I can’t help but think, that’s the man I want to be."
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"Very few movies get you this emotionally invested..."
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"'The Abominable Bride' is practically everything one could want from a 'Sherlock' Christmas special: 'the thrill of the chase, the blood pumping through your veins', the characters, the supernatural story, the 'timey-wimey stuff', and not to mention the Victorian garb."
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"Here are four films that were not only sequels, but brought interest back into some of the greatest franchises ever."
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"Although 'Fantastic Mr. Fox' is far from Wes Anderson’s most famous or lauded film, it remains a shining example of high quality stop-motion and a movie with something for everyone."
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